主演：托莫·希思黎,克里斯汀·斯科特·托马斯,Miki,Manojlović,卡瑞尔·罗登,Gilbert,Melki
导演：热罗姆·萨尔
简介：午夜，香港维港一艘私人游艇，亿万富翁奈里欧·温奇（米基·马诺洛维克 Miki Manojlović饰）离奇淹死。作为势力庞大的W集团的创始人和大股东的奈里欧并没有正式的继承人，他将把所有的财富赠给他的秘密养子拉戈·温奇（托莫·希思黎 Tomer Sisley饰）。二十年前奈里欧在南斯拉夫的孤儿院收养了男孩拉戈。然而继承这大笔遗产的拉戈，却遭遇了一连串错从复杂的暗杀与陷害，一场扑朔迷离的生死决斗就此上演。由法国导演吉勒莫·塞勒执导的影片《决战豪门》，改编自比利时漫画家菲利普·弗朗柯的同名漫画。影片横跨法国、美国、香港、东欧各国拍摄，加之不断穿梭在回忆与现实中险象环生的故事情节，荣获2012年第38届美国电影电视土星奖最佳国际电影提名。
主演：热拉尔·朗万,法伊娜·乔康,尼古拉斯·迪佛休尔,梅迪·内博,拉奇妲·布拉克尼,西蒙·阿布卡瑞安,奥雷利昂·维依科,卡迪亚·勒库维兹,哈萨姆·甘西,尼古拉·马里耶,塞勒姆·卡利,茂萨·马斯克里,凯瑟琳·海格,安纳托·陶布曼,Kamel,Belghazi,蒂杰梅·巴黑克,Carim,Messalti,Sa?d,Amadis,Jil,Milan,Asil,Ra?s
导演：菲利普·阿伊姆
简介：片名：国防机密 Secret défense编导：菲利普·阿伊姆 Philippe Ha?m主演：热拉尔·朗万 Gérard Lanvin瓦伊娜·吉奥康特 Vahina Giocante尼古拉·迪沃谢勒 Nicolas Duvauchelle西蒙·阿布卡良 Simon Abkarian迈赫迪·内布 Mehdi Nebbou拉希达·布拉克尼 Rachida Brakni奥雷利安·维克 Aurélien Wiik卡蒂娅·莱夫科维奇 Katia Lewkowicz卡迈勒·贝勒加齐 Kamel Belghazi贾迈勒·巴雷克 Djemel Barek卡兰·梅萨尔蒂 Carim Messalti哈桑·甘西 Hassam Ghancy尼古拉·马里耶 Nicolas Marié萨利姆·卡利 Salem Kali穆萨·马阿斯克里 M...
主演：夏洛特·韦里,弗里德里克·范登德里舍,米歇尔·瓦莱蒂,赫尔菲里克,让-克洛德·比埃特,玛丽·里维埃,罗杰·杜马斯,达尼埃莱·莱布伦,戴安莱夫里耶,Ava,Loraschi,Christiane,Desbois,Rosette,Jean-Luc,Revol,Haydée,Caillot,Claudine,Paringaux
导演：埃里克·侯麦
简介：侯麦著名系列作品“四季的故事”之一。菲利茜（夏洛特·海瑞 Charlotte Véry饰）和查理（费德瑞克·范丹狄德夏 Frédéric van den Driessche饰）在海边浪漫相恋之后，因为一时不留神留下了写错的地址，而导致了二人再也找不到彼此。菲利茜生下了查理的孩子，但5年来却再也没有查理的音讯。生活还在继续，菲利茜遇上了喜欢她的一些男子，他们也不失为好男人，足够爱自己。比如成熟体贴的马桑（迈克尔·瓦雷蒂 Michael Voletti饰）和才华横溢的路易（Hervé Furic饰）。然而，在菲利茜的心中，查理却仍旧是个挥之不去的至爱之人。她不是不爱他们，只是无法爱到能和他们一起生活。她和路易一起看莎士比亚的歌剧《冬天的故事》，为里面的人物悄然落泪，也许她和剧中人一样，也在坚守着一个信念。终于某个冬天，菲利茜和查理竟然在公车上重遇，执着的梦想等来了实现的一天。
主演：加斯帕·曼尼斯,拉斐尔·费伊特,弗朗辛·拉塞特,斯坦尼斯拉斯·卡雷·德·马尔博格,菲利普·莫里尔-热努,弗朗索瓦·贝莱昂,弗朗索瓦·尼格雷特,彼得·菲茨,伊莲娜·雅各布,阿诺·翁利叶,勒内·布洛克,Pascal,Rivet,Benoît,Henriet,Richard,Leboeuf,Xavier,Legrand,Jean-Sébastien,Chauvin,Luc,Etienne
导演：路易·马勒
简介：二战末期，德国的反犹政策还在坚定不移地推行着。来自马赛的犹太孩子波奈特（拉法艾丽·弗托Raphael Fejtö 饰）因此家破人亡，被送到法国的学校念书。在这里，他一直小心翼翼的保守着他的秘密，但还是因为新生的关系常常遭到同学戏弄。其中就有法国有钱家庭出身的朱利安（加斯帕尔·马奈斯Gaspard Manesse 饰）。朱利安和波奈特成为了室友，在共同相处的日子里，朱利安发现，这个经常被欺负的男孩有着跟自己志趣相投的一面。两人的关系渐渐融洽，成了童年要好的伙伴。当朱利安从种种迹象猜测出波奈特的犹太人背景时，他没有疏远波奈特，而且还帮忙隐藏这个秘密。也许在孩子的心中，政治世界在真挚的友谊面前显得太过渺小。然而，大人的魔掌还是侵入了波奈特的人生，保护犹太孩子的神父和波奈特都被出卖了……
主演：利诺·文图拉,桑德拉·米洛,让-保罗·贝尔蒙多,马塞尔·达里奥,米歇尔·阿旦
导演：克洛德·索泰
简介：Abel Davos在所有警察的追捕下，从意大利米兰流窜到法国尼斯。与一名陌生小伙子Eric Starck同谋合作，他重新回到巴黎，为的是解决债务……一部震惊的作品，充满了紧张悬念气氛。由乔斯.乔凡尼根据自己的小说改编，是法国警匪电影中最出色的经典之一。
主演：乔治·布莱顿,亚历山大·维拉赫斯,斯图尔特·鲍曼,埃文·威廉斯,艾莉莎·拉索斯基,泰格·伦岩,乔·谢里丹,马修·麦克诺提,史蒂文·库门,安娜·布雷维斯特
导演：理查德·克拉克,爱德华·巴瑟杰特,彼得·凡·希斯
简介：法剧《凡尔赛》最终季。路易十四准备开拓美洲殖民地，菲利普授命审核送去美洲的罪犯名单时，发现了一个秘密，在巴士底狱有一名戴着铁面具的特殊囚犯，他是谁呢？
主演：,乔治·布莱顿,亚历山大·维拉赫斯,埃文·威廉斯,安娜·布雷维斯特
导演：,托马斯·文森特
简介：“Versailles is the next step in the international co-production strategy we are now pursuing with our partners,” said Fabrice de la Patellière, Head of French Drama and Co-productions at Canal Plus. “This new season, that we aim to develop with renewed originality, will be a full-blown immersion into the absolute power of Louis XIV.”Added Claude Chelli, Director of Capa Drama: “King Louis XIV ruled France for 72 years, so there are still many stories to be told, in the same style and with the same contemporary approach that we established in Season 1. So it is with great relish that for the second season, we are going to take the series into the realm of women, love potions and poisons.”
主演：乔治·布莱顿,亚历山大·维拉赫斯,Evan,Williams,阿蜜拉·卡萨,Stuart,Bowman,泰格·伦岩,Noémie,Schmidt,丽兹·布罗谢,安娜·布雷维斯特
导演：加里·勒斯培
简介：Versailles, 1667. Louis XIV a 28 ans. Pour soumettre la noblesse et imposer définitivement son pouvoir absolu, il entreprend de transformer Versailles… comme on tend un piège. Ce jeune roi, hanté par le traumatisme de la Fronde qui avait vu les nobles se rebeller contre la royauté, se révèle un stratège politique hors du commun, machiavélique et manipulateur. Il "invente" Versailles pour éloigner les nobles de Paris, les garder sous son contrôle, et progressivement faire du château une prison dorée. Il est aussi capable de passions romanesques ; mais comment les vivre quand on est le plus grand roi du monde ? Les personnages historiques et fictionnels, du courtisan le plus en vue au plus humble serviteur du roi, nous guident dans un monde de trahisons et de secrets d’alcôve, de manœuvres politiques et de déclarations de guerre, révélant Versailles dans toute sa gloire et sa brutalité.
主演：让-帕斯卡尔·扎迪,伯努瓦·波尔沃德,埃里克·朱多尔,Emmanuel,Dehaene,Fadily,Camara,帕纳约蒂斯·帕斯科特,Jean-Christophe,Brétignière,Sean,Guégan,玛琳娜·佛伊丝,Fary
导演：让-帕斯卡尔·扎迪
简介：一名来自巴黎郊区的青年中心领袖成为总统大选的候选人。然而，法国真的准备好迎接黑人总统了吗？
主演：马克桑斯·达奈-弗伟尔,鲁伯特·韦恩-詹姆斯,萨比恩·克洛森,Anaïs,D'Alyciade,Jean-Michel,Dubreuil,Agatha,Maksimova,Louise,Molinaro,Anaïs,Parello,Eléonore,Sarrazin,Axel,Baille
导演：乔里斯·福肯·格里莫德
简介：The House of Gaunt - Lord Voldemort Origins is a short film directed by Joris FAUCON GRIMAUD about Voldemort origins.The House of Gaunt is an unofficial short film who tells about the Voldemort origins, inspired by the Harry Potter universe from J.K. Rowling's book « Harry Potter and the Half-Blood Prince ». It is freely adapted for the screen and directed by Joris FAUCON GRIMAUD. This is a non-profit movie production that is unaffiliated andor controlled by Warner Bros.Made by fans for fans.
主演：萝拉·克雷顿,塞巴斯蒂安·乌泽多夫斯基,瓦莱丽·博莱同,瑟奇·伦科,欧扎·费什特
导演：米娅·汉森-洛夫
简介：卡米儿（罗拉•塞利顿Lola Créton 饰）十五岁那年遇上了苏利文，初恋的滋味让这个尚在懵懂的女孩品尝到爱情青涩的味道。然而苏利文从大学退学，为了追求独立的生活，在夏天即将结束的时候离开了这个城市，开始了独自一人的旅程。刚开始的几个月他还断断续续的给卡米儿来信，讲述着自己旅途中的事情，但几个月后，当卡米儿每每检查信箱时，却再没了苏利文的音讯。就这样一段全心投入却又无疾而终的初恋让卡米儿心灰意冷，甚至想要自杀来寻求解脱。在家人的帮助下，卡米儿渐渐从这段爱情带给自己的伤痛走了出来，并且发奋学习终在四年后成为了一名出色的建筑师。工作的原因让她认识了现在的男友洛朗，然而这段稳定的爱情却在卡米儿偶遇苏利文后起了一丝波澜…
主演：胡立欧·查韦斯,玛莉亚·奥内托,María,Ucedo,Inés,Molina,Arturo,Goetz
导演：艾瑞尔·罗特
简介：2007柏林电影节评审团奖。讲述一个变换身份的神秘人的故事。像往常一样，某天去另一个国家出差，却变成了另一段旅程的开始：当他到达他的目的地时，Juan Desouza发现他身边一位男子已经死亡。鬼使神差的，像进入一个游戏世界一样，他决定用这个人的身份，为自己找一份工作，找一个地方栖身，并且不希望回到过去的生活。在他的这种新生活里，在可能的状态下，在没有目的的情况下，这个男人开始了一段探寻本性的冒险。为了重新发现他的人生观，他用自己最基本的本能，试图领悟他对生活的理解。对他来说，他选择什么生活，他为什么活着，绝不是只有一种可能。此片由德法与阿根廷合拍，艾瑞尔-罗特为阿根廷青年导演兼编剧，继2001年推出《Sólo por hoy》(生活在他方)后，此次艾瑞尔-罗特带着《El otro》再次来到柏林。该片其导演的第二部作品。Julio Chávez曾凭借在玛莉亚.卢萨.贝姆1982年执导的文艺片《Senora de nadie》(无丈妻身)，在巴拿马影展中获得最佳女演员奖，该片堪称八十年代阿根廷电影的经典之作。其出演的影片《守护者》是56届柏林电影节参展影片。
主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：Alexandre,Arquillière,Jackie,Monnier,恩里克·里贝罗,Diana,Hart,雅克·贝克
导演：让·雷诺阿,Jean,Renoir
简介：Claudie, a young French woman, inherits her uncle's property in Algeria, much to the disappointment of her scheming cousins Diane and Manuel. On the ferry she meets and falls for Pierre, an idle young man who has squandered his inheritance and is on his way to beg from Christian, his rich but rough-and-ready uncle, who owns a neighbouring farm to Claudie's. Made to work on the farm by Christian as a loan condition, Pierre is soon a changed man, and proposes to Claudie. But when his Arab friend Zoubir invites the Europeans on a hunting party, Diane and Manuel see their chance to move against their cousin.
主演：René,Lefèvre,朱尔·贝里,弗洛雷勒
导演：让·雷诺阿
简介：朗治（瑞奈·列费夫尔 René Lefèvre 饰）在一间印刷厂里做了一辈子的文员，撇开正式职业不谈，他还有一颗成为作家的心，常常在业余时间创作漫画和小说。一天，朗治的老板因为贪腐诈骗的罪行东窗事发选择了跑路，却在路上遭遇车祸下落不明，为了维持印刷厂的正常运作，朗治被推举成为了印刷厂的临时管事人，在朗治和其他员工们的努力经营之下，本来濒临倒闭的印刷厂不仅避免了关门大吉的命运，还有了不菲的盈利。一天，老板巴尔塔（朱尔·贝里 Jules Berry 饰）忽然出现在了朗治的面前，大难不死的他不仅企图侵吞朗治和工人们的所有劳动成果，甚至想要将朗治的女友据为己有。
主演：Danièle,Huillet,Jean-Marie,Straub
导演：Pedro,Costa,Thierry,Lounas
简介：Six unused scenes from WHERE LIES YOUR HIDDEN SMILE One of the more priceless of the bagatelles in this collection features a lounging Jean-Marie Straub who gives a non-stop disquisition on liberty and filmmaking while Danièle Huillet busies herself with laundry, and their dog Melchior frisks in and out of frame.
主演：Richard,Anconina,帕特里克·坦西,布鲁诺·洛歇,Jean-Luc,Lahaye,Jeanne,Mas,Gilbert,Montagné,Sabrina,Salerno,Valéry,Zeitoun,Début,de,soirée,Desireless
导演：Frédéric,Forestier
简介：Vincent和Antoine都是狂热的乐迷，两人靠到处做工地秀苦苦支撑着一个小小的演艺公司。眼看生计难以为继，Vincent家中的一个小小皮盒给了他们创业灵感：Jeanne Mas, Jean-Luc Lahaye, Lio, Desireless, Peter Sloane, François Feldman, Début de soirée, Images, Cookie Dingler, Sabrina, Gilbert Montagné... 里面装满了80年代的畅销曲！让这些80年代的巨星重新登上舞台会大卖吧！？两位制作人于是出发去寻找那些已经被公众遗忘的明星们。从乡下小酒吧里的寒酸怀旧演唱会开始r……直到法兰西体育场！
主演：让娜·莫罗,朱莉·加耶,Liliane,Rovère,皮埃尔·里夏尔,德尼·波达利德斯,洛兰特·道驰,马修·格克齐
导演：多米尼克·蒙法尼
简介：纳塔将满7岁，却一直不能识字。他对姑妈遗留给他的藏书失望不已。直到夜晚降临，书中的人物纷纷现身，告知纳塔他们面临永远消失的危险。于是纳塔投身于一场冒险，来拯救他的朋友和他们的故事。他来得及读出拯救他们的咒语吗？
主演：让-皮埃尔·利奥德,德菲因·塞里格,克洛德·雅德,迈克尔·朗斯代尔,哈里-马克斯,安德烈·福尔肯,丹尼尔·塞卡尔迪,玛丽-弗朗丝·皮西尔,雅克·里斯帕尔,保罗·帕维尔,马汀娜·波萨,罗杰·特拉普,Catherine,Lutz,Claire,Duhamel,Martine,Ferrière,François,Darbon,Serge,Rousseau,Marcel,Berbert,Jean-François,Adam
导演：弗朗索瓦·特吕弗
简介：本片是特吕弗著名的“安托万系列”的第三部，但影迷通常忽视短片《Antoine et Colette》误将其认作第二部。23岁的Antoine Doinel（Jean-Pierre Léaud 让-皮埃尔•李奥）从军队逃出后，虽侥幸逃脱惩罚，却因殴打警察入狱，不良记录对 他找工作造成妨碍，他先后做过旅店守门人、私家侦探等职业。过程中，安托万联系上了昔日女友克里斯汀。两人的感情暧昧而不确定。而按客户要求混进一家鞋店盯梢风情万种的老板娘时，他又将其迷上，感情的天平开始在两个女人之间摇摆。
主演：Mohamed,Djouhri,Hania,Amar,Hassan,Kachach,Mehdi,Ramdani,Nadia,Kaci,Sonia,Mekkiou,Chawki,Amari,Lamri,Kaouane,奥雷·阿蒂卡,Abdelaziz,Zeghbib,Zineddine,Hamdouche,Saadia,Gacem,Hamid,Ben,Si,Amor,Samir,El,Hakim,Mohamed,Lamine
导演：卡里姆·穆萨维
简介：今天的阿尔及利亚：三个故事，三代人。穆拉德，一位离过婚的房地产开发商，觉得身边所有人都在逃避他。艾莎，一个年轻的女孩，在情人和未婚夫之间两难挣扎。达曼，一位神经学家，在婚礼前的一天突然被他的过去所困扰。
主演：塔哈·拉希姆,艾玛纽尔·塞尼耶,安娜·多尔瓦尔,伯利·兰内尔,布鲁诺·洛普斯,莫妮亚·肖克里,阿丽斯·塔格里奥妮,卡里姆·莱克路,费尼肯·欧菲尔德,西奥·乔尔比,阿丽斯·德·朗克桑,多米尼克·布隆
导演：卡黛儿·基耶维蕾
简介：一起致命意外牵起陌生故事的延续。赛门不知道，这个黎明会一去不返。赛门和好友三人于清晨逐海冲浪，尽兴出游换来回程的疲劳驾驶，酿成无法挽回的伤害。年纪轻轻的赛门，人生才刚开始，却因车祸陷入脑死，只能靠生命维持系统活着。就在赛门父母还难以接受事实的当下，医生勇敢告知，赛门的生命可以拯救其他垂危的性命，建议进行器官捐赠配对。同一时间在巴黎，一名深受心疾威胁的母亲正在等待心脏移植，赛门的心跳，将为这位坚强母亲注入重生的力量......
主演：罗曼·杜里斯,凯利·蕾莉,奥黛丽·塔图,塞西尔·德·弗朗斯,Evguenya,Obraztsova
导演：塞德里克·克拉皮斯
简介：电影为《西班牙公寓》的续集。时隔五年，塞维尔（罗曼·杜里斯 Romain Duris 饰）已然完成了学业，成为了一名专职作家，放弃一切追逐梦想的勇气值得敬佩，但生活并不会因此而一帆风顺，在可见的未来中，依旧有着许多无解的难题等待着塞维尔。在和玛蒂娜（奥黛丽·塔图 Audrey Tautou 饰）分手后，塞维尔名正言顺的过上了四处猎艳的自由生活，而前者则选择了为人妻母，这让塞维尔的心里多多少少有些不是滋味。为了生计，塞维尔不得不接受一些毫无乐趣的工作，而并不丰富的人生阅历也让他在写作上遭遇了瓶颈。为了解决这个棘手的问题，塞维尔决定好好的回顾一下自己的人生，他来到了位于俄罗斯的圣彼得堡，在哪里，一段新的生活等待着他。
主演：亚里安妮·拉贝德,格莱戈尔·科林,卡西·莫泰·克莱恩,瓦西里·施耐德,阿德里安·博,克莱尔·迪比尔克,Erwan,Ribard
导演：阿德里安·博
简介：Genre cinema lends itself to fruitful experimentation and Vourdalak is a prime example, offering ample opportunities for it along with dark, profound chills and a delightful Gothic atmosphere. A father returns from the war to his children (now as a vourdalak), dead yet alive, while simultaneously, an envoy of the King of France arrives at their secluded forest home. Profoundly ...
主演：李康生,陈湘琪,陆弈静,苗天,叶童,让-皮埃尔·利奥德,Chao-jung,Chen,Guei,Tsai,Arthur,Nauzyciel,David,Ganansia
导演：蔡明亮
简介：父亲离世后，来到天桥摆摊卖手表的小康（李康生）同母亲一样，虽自觉与其并无多少情感，却无法摆脱其在精神上的无处不在。因为一块可以显示出巴黎与台北时差的手表，小康结识要去巴黎的湘琪（陈湘琪 饰），自此，精神抑压的他以为同巴黎（湘琪 饰）取得了某种形式的关联，获得某种虚空的安慰。当小康通过把时钟调慢7小时、观看电影《四百击》等形式来表达他对湘琪暧昧的思念时，远在巴黎的湘琪也并没能从生活中找到多少积极的意义。无论同性（叶童）还是异性，她均无法从他们身上得到想要的温暖。
主演：西恩·潘,杰丝敏·特丽卡,哈维尔·巴登,雷·温斯顿,马克·里朗斯,伊德里斯·艾尔巴,彼得·弗兰森,马克·沙尔丹,埃米利奥·布阿勒,卡拉·佩雷斯,托尼·科尔维略,安吉拉·富恩特,玛丽娜·马修斯,大卫·布莱克雷
导演：皮埃尔·莫瑞尔
简介：国际特种部队间谍吉姆（西恩·潘 Sean Penn 饰），为了他的爱人而想要退出组织，但天不从人愿，就在他完成最后一项“任务”时，为了确保自身安全与公司利益，他必须要人间蒸发匿身他处，与心爱的人从此分开。离开组织在欧洲流亡多年后，吉姆以为能够脱离危险，就此过着平静的生活；无奈人生并非他想像中单纯，在刚果被神秘人物追杀的他，被迫放下所有，展开逃亡。逃亡途中他辗转联系到昔日战友，并寻求他们的协助，却也因此发现追杀行动里暗藏着不为人知的祕密，而现在，唯有找出追杀他的幕后主使，才能给他一条生路……
主演：克劳斯·坦格,Ursula,Bedena,Joe,Koener,Birgit,Yew,汉斯·德·芒特,Anna,D'Annunzio,Jean-Michel,Vovk
导演：布鲁诺·福扎尼,伊莲娜·卡泰特
简介：铅黄电影。有点实验性的Cult片，《安娜迷宫》的导演又给大家带来感官盛宴。怪奇公寓妇女失踪，墙后房间通往童年，礼盒爬出帽子刺客，壁纸起伏欲望隧道；时空循环自我谋杀，白发初恋听诊凶案，糖果夹杂玻璃碎片，爆头画皮血流满屋……
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